Richard Borge

This was one of a series for The Wall Street Journal about personal internet security. We also animated them to be used in the online version.

This is one of three covers created for Gov't Mule's 2017 release "Revolution Come, Revolution Go". Animated versions can be seen in the MOTION section of this site.

I worked with White Rhino in Boston on this fun animated short, showcasing a major medical company's usage of VR technology. Who knew Bigfoot was into VR?

These images were made for Siegel+Gale's "Global Branding Simplicity Index 2017". The project consisted of creating page dividers for the various regions for the print document. This image was for the divider page leading into Germany. We also animated these images for the video, web site and social media posts.

These images were made for Siegel+Gale's "Global Branding Simplicity Index 2017". The project consisted of creating page dividers for the various regions for the print document. This image was for the divider page leading into India. We also animated these images for the video, web site and social media posts.

Gov't Mule, "Revolution Come, Revolution Go". This is the vinyl package. An animated version can be seen in the MOTION section of this sight. Looking at the sketch below, you can see that it was intended to be shown from a 3/4 angle above the model. It was sort of an accident to put the camera below, but I immediately liked the look of it like that.

These images were made for Siegel+Gale's "Global Branding Simplicity Index 2017". The project consisted of creating page dividers for the various regions for the print document. This image was for the divider page leading into Sweden. We also animated these images for the video, web site and social media posts.

This piece was inspired by the wild rides on the US Stock Exchange.

White Rhino, an agency in Boston that I've worked with several times asked me to collaborate with them on their holiday VR e-card. This was a terrific project, where we ultimately made a "snow globe world" in Cinema4D, and pushed through that space in a sleigh.

A series for Computer World, for an article called Bot Revolution. Working with April Montgomery, we chose to follow a Constructivist Poster aesthetic. 

This was created for an article in the Wall Street Journal about the relationship between corporate leadership and performance (and which one comes first). I'm honored to report that this piece was selected to be in the upcoming American Illustration Annual.

This is a personal project in progress. It was based on a sketch made a while ago for an article about collaboration and performance. I have started to animate it, more to come soon!

Personal piece made for fun.

Created for an article about retirement saving in the Wall Street Journal. This piece was animated as well.

Created for The Progressive magazine, for article about the pipeline battles in the midwest.

A large series created for WORTH Magazine about cloud security, viruses and hackers being trapped in a maze of security.

This was created for an article in the Wall Street Journal about the relationship between corporate leadership and performance (and which one comes first). In the end, we went in a different direction so this was unpublished.

This was created for the Wall Street Journal for a print article that was actually about CFO's missing the target, but that wouldn't make for a very good loop, now would it?

This was created for the Wall Street Journal for an article about mining data to increase corporate performance. Any time I get to make robots and space ships, I know it's going to be a good day.

Personal piece made for fun.

This was created for an article in the Wall Street Journal about the relationship between corporate leadership, performance and teamwork. In the end, we went in a different direction so this was unpublished.

This is how it all starts... pencil on paper. Here is a very random sampling of sketches. If you've worked with me before, some of these may look familiar. When we work together, you will become part of this process, as I always look at these ventures as collaborations. How is that for a pitch to go ahead and bring me on board?